ACO

new york city's period instrument orchestra
performing at alice tully hall - lincoln center

 

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Next Concert

FINAL CONCERT 2013-2014 SEASON

6/5/14 Prague tickets >>

American Classical Orchestra
Thomas C. Crawford, Music Director

Doral Arrowwood

Reviews

The New York Times, Corinna da Fonseca-Wollheim (March 21, 2014): "The hourlong semi-staged performance of “Alceste,” which marked the culmination of this year’s Handelfest, was sensitively directed by Cynthia Edwards. She made the most of the radiant young members of the American Classical Orchestra Chorus, who moved about the stage with natural grace. Two dancers, Lindsey Jones and Weaver Rhodes, fleshed out the silent roles of Alceste and Admetus, the lovers separated by death and then reunited. Their elegant movements, choreographed by John Heginbotham, combined stylized gestures and a certain sweet diffidence that fit the music well."

The New York Classical Review, George Grella (March 20, 2014): "The lingering impression from Wednesday night’s concluding Handelfest 2014 concert, played by the American Classical Orchestra and singers at Alice Tully Hall, is that New York City has its own bona fide early music orchestra, and a good one."

The New York Times, James R. Oestreich (March 5, 2014): "...the portrayal was strong and moving in its own right, and it was well matched by that of the sturdy mezzo-soprano Virginia Warnken as Micah, Samson’s faithful friend, constantly assessing the damage to his persona. Both sacrificed exactitude of pitch to expressiveness at times, though to generally good effect. The two bass-baritones — John Taylor Ward as Manoa, Samson’s father, and Andrew Padgett as the Philistine warrior Harapha — sang well. So did the soloists drawn from the excellent American Classical Orchestra Chorus, especially the sopranos Sarah Brailey and Marcy Richardson."

contact
info@aconyc.org
212.362.2727

Why Period Instruments? click to see lessclick to see more

Baroque instrumentsThe instruments used by Baroque and Classical period composers such as Bach, Vivaldi, Mozart, Haydn and Beethoven, were made of different materials and were often shaped differently as compared with their modern counterparts.

The sound of period instruments differs dramatically from that of instruments created from the latter part of the 19th century until today. Performances of even the most familiar masterpieces on period instruments result in a unique musical experience that is wholly fresh and alive.

Members of the American Classical Orchestra are renowned musicians who are passionate about the unique tonal qualities that period instruments lend to early music. Their passion and love for their art and the brilliant interpretations of the music by ACO's Music Director Thomas C. Crawford bring an intense excitement to each performance.

Baroque instrumentsThe instruments used by Baroque and Classical period composers such as Bach, Vivaldi, Mozart, Haydn and Beethoven, were made of different materials and were often shaped differently as compared to their modern counterparts.

The sound of period instruments differs dramatically from that of instruments created from the latter part of the 19th century until today. Performances of even the most familiar masterpieces on period instruments result in a unique musical experience that is wholly fresh and alive.

Members of the American Classical Orchestra are renowned musicians who are passionate about the unique tonal qualities that period instruments lend to early music. Their passion and love for their art and the brilliant interpretations of the music by ACO's Music Director Thomas C. Crawford bring an intense excitement to each performance.

ACO Music Director and Founder Thomas C. Crawford

Thomas C. Crawford Thomas C. Crawford, Music Director and Founder of the American Classical Orchestra, is active in numerous musical disciplines as conductor, composer, and organist. As a conductor, Mr. Crawford is a champion of both historically accurate performance styles of the Baroque and Classical repertoire and of new American music. Mr. Crawford has attracted many outstanding artists, including Itzhak Perlman, Yo-Yo Ma, André Watts, Dawn Upshaw, Richard Goode, Victor Borge, Monica Huggett and Vladimir Feltsman. He is responsible for the American Classical Orchestra's numerous international recordings with such great artists as Malcolm Bilson and Keith Jarrett. He is also a composer in many idioms and has been especially prolific in vocal music. Mr. Crawford has been recognized for his teaching of children and adults through school programs and lectures.


Next Evening Concert, Performed at Alice Tully Hall, Lincoln Center

Bart van Oort, piano
Bart van Oort

JUNE 5, 2014 8pm

Prague - Golden City of Music
Pre-Concert Lecture 7pm

Many great composers are enchanted with the beauty and culture of Prague.

Josef Myslivecek Sinfonia in D

J. Strauss Sounds of Moldavia Waltz

Beethoven Piano Concerto No. 1
premiered in Prague with Beethoven as soloist

Mozart Symphony No. 38 Prague

Bart van Oort, piano